I had the privilege to present a paper at the Sociolinguistics of Globalization conference organized by the University of Hong Kong. Intimidated by the number of renowned linguists (you know, those that you quote all the time) and the amount of parallel panels, I felt like ‘the new kid on the playground’. Language experts from around the world met to discuss the effects of globalization processes on language behavior, use and attitudes.
I was majorly interested in the panels dealing with music and language. Here it seemed that the sociolinguistics of hip hop clearly dominated the discourse. Specifically this music genre reflects the phenomenon of ‘glocalisation’: A global phenomenon, hip hop music, is re-interpreted and re-invented with a local voice. Its main ideas and concepts (i.e. the credo of “keepin’ it real”) are adopted while at the same time projecting an authentic local place identity. This is not necessarily the case when it comes to pop music, where an American-influenced pronunciation still dominates and seems to have become the default or the norm. Andy Gibson illustrated this “power of the norm in pop song phonetics” in his presentation on the singing style of three New Zealand singers.
I was able to gain many new insights and inspiration from manifold approaches, methods and different languages and cultures. Fortunately, I also had the pleasure of meeting Andy Gibson (Auckland University of Technology) for at least a quick chat. The conference offered fruitful stimuli and was a great experience.
If you are curious about who was there and presented what, take a look at the book of abstracts.